Elle Mundy

PNEUMATICS

underdressed

—compared to some—

supremely relaxed

in public, even

in the back row

facing so much self-referential

anxiety which doesn't affect me

underslept

 

unfeeling

craving pfressure

more pressure

cannot get enough prussure

3, 6, 89

but PUSH

2, 4, 8mm

goto place

the pressure of bed against body

and body against

body For

body Towards

body AROUND

smash of

swish of

squish of

kept me up

 

overdressed

—for this heat—

have not depilated

in WEEKS

covering the exhaust pipes

no escape

and craving

never asking

 

feeling

pressing lightly

lady fat on bone_

inversion of

digging tunneling circling

the drain

would someone else like to

here uh

yeah—yyeah

TAKE it—

A MEMORY OF A MEMORY

repetition is the routine

cycle after cycle after:||

 

each day is the same

each day is similar

each day is slightly different

 

beat the path by traveling it

wear a groove into a groove

step after step after:||

 

now construction is the new thing

floor after floor after:||

 

each floor is the same

each floor is similar

each floor is slightly different

 

build the tower by climbing it

haul honor out of height

brick by brick by:||

 

propagation is the new king

frame by frame by:||

 

each frame is the same

each frame is similar

each frame is slightly different

 

but take it down by watching it

come down now, out of there

tick by tick by:||

 

protection is the grasping

same by same by:||

 

every same shall be the same

every same shall be the same

every same shall be the same

 

preserve their death by living

squeeze every last drop of life out of death

wring it wring it:||

1995 REFLECTION ON 20th c. PERCEPTION EXPANSION

industrial origami

a solitary slice of cardboard

creased into protective formats

interlocking sans adhesive

a municipal actuator

safely (sup)porting optical equipment

from kumamoto to brooklyn

 

telephone terminal

smooth ceramic potentiometer

joined at trunk head

world paved in semaphore

plug boot function

polyphonic electrical subjunctification system

enabling global telecom uplink at low expense

 

french henchman at paris palace

churning, grinding oppositional entities

into massive plume of fine grey dust

old socks and smokestacks

chuffed to meet the maker

splashed mite of surfactant on tuberculosis window

emerging from bath of flailing babe

in foreroom porcelain-enamel basin

 

saliva sample slipped into

processing receptacle

at yellow compliance zone

obtained journographical physiometric evidence

risking contamination for the test

scrip for comprehensive countenance reconfiguration

 

optical squelch

chromatic fiber splayed

subliminal spaceflight

atmospheric condition

dynamic visibility rangefinder

surfing the crest of human potential

cow-catching signals on swept electromagnetic frequencies

traversing the vibrous cyclical fractal

before and beyond perceptibility

abstraction is the extent of what we can manage

rejecting consequential self-deception

evolution to subsequential self-representation

Elle Mundy is a poet, musician, and photographer living in Brooklyn. Originally from central New Jersey, she's been writing and performing poetry since 2009, when she read in the slam and open mic scene on the Jersey shore. She's been playing guitar since 1998, and in the last few years began playing living room shows around Brooklyn. Shut down by the pandemic, she started hosting a YouTube concert show. She also started photographing again for the first time in a decade during the pandemic, and she posts the photos on her Instagram. Twitter & IG @exchgr

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